May Highlights
Oriental Institute Museum Emily Teeter, curator of “The Life of Meresamun” exhibit, will lead a film screening and discussion. See how the mummies of an Egyptian priest, a temple cult-singer and 12-year-old girl underwent CT scanning to reveal their stories while leaving their wrappings intact. After the film, Teeter will discuss how research techniques shown in this 1998 film have advanced over the past decade, making enormous strides in the forensic study of mummies. Get a behind-the-scenes look at how the University Medical Center and Oriental Institute used the most recent high-resolution scanning and 3-D imaging techniques to study Meresamun, whose mummy and biography are the highlights of a special exhibition.
Office of the Provost Biological Sciences Learning Center, 924 E. 57th St., Room 109
Rockefeller Memorial Chapel
Fourth-year Stephanie Trick will become the first student to give a public performance on the E.M. Skinner pipe organ since it was restored in 2008. Her concert will include works by Cesar Franck, Bach and Brahms. The organ can now boast being the largest in Chicago, with a count of 8,565 pipes distributed over its 132 ranks. Free public concerts on the organ will continue Tuesdays through June 2, and all are invited to hear and feel the magnificence of the
80-plus-year-old instrument while enjoying tea and biscuits.
Center for Race/Gender Studies and Film Studies Center Linda Williams, professor of film studies and rhetoric at the University of California, Berkeley, will speak. Since Deliverance, sex between men has been portrayed in mainstream American movies as a kind of “fate worse than death” that spoils the innocence and reputation of its male “victim.” Brokeback Mountain is the first simulated (non-hardcore) American film to ask audiences to witness sex between men as an irresistible and dangerous pleasure. In this chapter of her book, Screening Sex, Williams reads the film against its legal background in the Lawrence vs. Texas Supreme Court ruling that struck down sodomy laws and as a case study of the primal scene’s “first witnessing” of sexual pleasure originally understood as a form of violence and pain.
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